But what happened to me could happen to anyone who stays awake that long, voluntarily or otherwise. Sleep specialists call these involuntary collapses “microsleeps.” It’s not hard to see why anybody-a high school chaperone, a parent, a doctor-might view a twitching, crumpling, babbling kid like me as some sort of nutcase. This happened more than once on my final day awake. While imposing a monologue on my biology teacher-who, I later learned, thought I was tripping on LSD-I blacked out and slumped mid-sentence. Kennedy Airport, my body was giving out, too. Toward the end of the ordeal, in New York’s John F. As the sleepless days passed, I experienced the increasingly severe psychological effects common with extended sleep deprivation: I hallucinated, rambled, and lost focus. So did furiously paced, illogical scribbling in a fat blue pocket notebook. To this day, I am not sure how many consecutive nights I spent awake, but it was at least four. Unlike other basic bodily functions, such as eating and breathing, we still do not fully understand why people need to sleep. Why? There are a few layers of “why,” and I will mine them later. I stayed up writing all night, and the next morning, on little more than impulse, I decided to go for it. I was 18, in Italy, on a school-sponsored trip with that pompously misnamed group for American teens who earn As and Bs, the National Honor Society. In those first moments, I remembered the basics about what had landed me in the hospital: Some pseudo-philosophical ranting and flailing brought on by a poorly executed experiment to see how long I could last without sleep. My tousled hair shot out around my puffy face my head throbbed. I made it to the toilet, then threw water on my face at the sink, staring into the mirror in the little lavatory. ![]() I forced myself up and stumbled, grabbing the chair and the bathroom doorknob for balance. I remembered the hallway I had been wheeled down, and the doctor’s office where I told the psychiatrist he was the devil, but not this room. I wore two pieces of clothing: an assless gown and a plastic bracelet. My joints ached and my eyelids, which had been open for so long, now lay heavy as old hinges above my cheekbones. I awoke in a bed for the first time in days. Kress Foundation.ĬONF: Photo Archives VIII: The Digital Photo Archive (Basel, 5-7 May 22). It is supported by the Swiss National Science Foundation and the Samuel H. The conference is organized by Estelle Blaschke (University of Basel) and Costanza Caraffa (Kunsthistorisches Institut in Florenz – Max-Planck-Institut) in cooperation with eikones – Center for the Theory and the History of the Image. For participation in person, please register at: photoarchives-mewi unibas.chįor online attendance via Zoom, please use the following link and codes: Lee Douglas (IHC-NOVA University): Between Forensic Evidence and Sensorial Memories: Digital Technologies, Photo Archives, and Narrating Experiences of Displacement and Diaspora Mariana Martínez (Metropolitan Autonomous University): The Disappearance of the Images, the Disappearance of the Bodies PANEL VI: CURATING THE POLITICS OF THE ARCHIVE Paolo Favero (University of Antwerpen): The Act of Images: Making, Viewing, Storing and Sharing Images in a Post-Digital World Visibilities and In-visibilities of Dance Photography in Digital Archives Isa Wortelkamp (Leipzig University): Image-Body. PANEL V: ARCHIVAL VISIBILITIES / INVISIBILITIES Ulrike Felsing, Max Frischknecht, Adrian Demleitner (University of Bern): Inclusive and Participatory Interfaces for Photo Archives as New Research Opportunity Kylie Thomas, Kees Ribbens (NIOD Institute for War, Holocaust and Genocide Studies, Erasmus University of Rotterdam): An Orphaned Digital Photographic Archive? The WWII Image Bank and ‘Fostering’ History Henning Lautenschläger (University of Basel): Renaissance or Revenant? – The Prokudin-Gorskii Collection at the Library of Congress between De-Materialization, Re-Materializations, and Digital Cultural PracticesĪnna Näslund Dahlgren (Stockholm University): Platformisation and the Logic of the Digital Photo Archive PANEL III: QUALITIES AND QUANTITIES OF METADATA Marlene Manoff: Digital Materiality and the Evolution of Archival Theoryįelix Oke, Israel Saibu (Anchor University Lagos): Curating Digital Images: the Ojude Oba Cultural Festival on Social Media PANEL II: NEW TECHNOLOGIES, NEW THEORIES? Maria Creech (Cardiff University, Imperial War Museums): ‘The Archivist’s Invisibility’: Rethinking Interpretation in the Digital Photographic Archive ![]() Schwartz (Queen’s University): “More is Less”: Search and Research in (Digital) Photo Archives PANEL I: RETHINKING AGENCIES AND TAXONOMIES Michelle Henning (Liverpool University): “Unseen and unheard”: Photography in the Atmosphere
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